Psychomuzak - Send
Cat No: DELEC CD 054
Release Date: 30th June 1997
[Track Listing]
[Credits]
[Reviews]
[Psychomuzak Home Page]
Send CD
- Keep Breathing
- Deep Heat
- Send
- Sea of Tranquility
Bonus Drone CD (Ltd to first 1,000 copies)
- Keep Breathing [drone]
- Deep Heat [drone]
- Send [drone + chant]
- Send [chant]
Psychomuzak are:
- Dean Carter - Electric and acoustic guitars and effects drone guitars, guitar synth ('Tranquility'), keyboards (mellotron, choir and sitar), keyboard bass on 'Keep Breathing', overtone chanting, tape effects, hand drums, congas, finger cymbals, shaker on 'Send'.
- Simon Williams - Production, samples, keyboard washes and burbles ('Keep Breathing', 'Deep Heat').
- Andy Ward - Drums on 'Keep Breathing' and 'Deep Heat'.
- David Cross - Violin on 'Send'.
- Al Jenkins - Fretless bass on 'Deep Heat' and 'Send'.
- Simon Cowburn - Percussion, djembe, darabouka, finger cymbals.
- Millenia, Ita O'Brien, Mo Doyle, Robbie Crow - Overtone chanting on 'Send'. Plus vanda, in spirit.
Recorded at Mandragora's studio, Brighton, England, April - June 1996.
Mentioned in despatches:
Mark and Vessna, Graham, the AA man, The Albert, and, as ever, Peter Kent for services above and beyond.
Overtone Chanting
This is a powerful vocal technique which, for me, effectively represents a form of sonic meditation and healing. I first encountered this technique on Jill Purce's remarkable workshops. Anybody interested can contact her at Inner Sound, 20 Willow Road, London NW3 1TJ. - Dean.
Almost a year ago, Dean Carter sent me a cassette of rough mixes of what was to be his next album as Psychomuzak - SEND, which would be accompanied by the limited edition bonus disc DRONE. Anyway, it took so long to come out that I'd almost forgotten about it! For me, the Psychomuzak concept was best presented on Dean Carter's cassette of such instrumental guitar music. THE EXTASIE (his debut with Delerium) took this style to trendier realms but was still pretty good, and showed a trend of moving away from echo guitar music (for which the Psychomuzak moniker was coined) to more straight-ahead melodic space-rock.
The finished product is actually quite an odd mixture of styles, notably with Andy Ward (from Camel) playing drums on the opening tracks Keep Breathing, and Deep Heat, two rock numbers linked by an uncredited gliss guitar void. The first is a very Ozric Tentacles cum Porcupine Tree, Hillage cum Pink Floyd space drive, whereas the latter is an odd dub and Arabic hybrid feeling closer to Suns Of Arqa than anything else, though this also diverts to Ozric territory. So far then, not what you'd expect. Next we have the near on 20 minute Send itself, which starts as an oozing soundpool of scuttling echo and gliss guitars, growing into an ethnic raga complete with mock sitar and ethnic percussion, later topped by a very Simon House styled (i.e. in the Third Ear Band vein) violin solo courtesy of former King Crimson wizard David Cross. Excellent stuff. But then it's all change with Sea Of Tranquility (this wasn't on the cassette), a lush Hank Marvin styled new-age number. Too sweet for my palette.
The bonus CD DRONE contains further variations on the soundpool facet of Send, Keep Breathing and Deep Heat (could have fooled me) feeling like an infinite trance meditation in the vein of Günter Schickert (back to the old Dean Carter territory) or some recent Robert Fripp. These two tracks along with Send from disc 1 would have made a great CD. Next, just to confuse matters are Send [drone + chant} and Send [chant], which are of a different genre entirely, not related to Send itself, the first being a muddle of vocal and guitar loops, reminiscent of Zoviet France, and the second just overtone singing in the manner of David Hykes Harmonic Choir. It's a very odd direction for the disc to end in.
So, all together it's mostly good stuff, but a bit haphazard and ill conceived. Apparently as a double it's a limited edition, and the second pressing will omit disc 2. I wonder why?
A very original idea to include a second CD without the rhythm section -another mix with just drones and sounds of the same recordings as on the first CD. You might already know the musicians on this album: David Cross (violin, King Crimson), Andy Ward (drums, Camel, Bevis Frond), Simon Williams (Mandragora), and guitarist/composer Dean Carter. As on his first album The Extasie two years ago, Dean keeps to a psychedelic style, popular first in the early 70's (eg. King Crimson, Doors, John Mayall); long improvisations on electric guitar with effects, some spacey electronic sounds, electronic bass, percussion and real drums. A well made musical trip.
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